Add Yahoo as a preferred source to see more of our stories on Google. One of the grand paradoxes of Jean-Luc Godard is that he was a radical, an outlier, a filmmaker who guarded his purity and always ...

Jean-Luc Godard, who died Tuesday at 91, was the filmmaker who changed everything. He directed “Breathless,” the 1960 landmark that helped to launch the French New Wave, employing a new, fast, leaping ...

Kino Lorber has bought all North American distribution rights to Jean-Luc Godard’s final short film “Trailer of a Film That Will Never Exist: Phony Wars.” The 20-minute short played at this year’s ...

This article was featured in One Great Story, New York’s reading recommendation newsletter. Sign up here to get it nightly. We think of icons as grand, fixed, unreachable things. Something that has ...

There can be only so many “greatest living filmmakers” roaming the Earth at once. With the death of French-Swiss filmmaker Jean-Luc Godard, the world has lost one of the greatest of all time, an ...

The Cannes Film Festival will pay tribute to iconic late director Jean-Luc Godard, following his death last September, with a trio of works in its Cannes Classic cinema heritage line-up. A highlight ...

The French director, who died Tuesday at 91, was as much a part of the decade’s upheaval — both contributing to it and reflecting it — as Che Guevara and Muhammad Ali and Bob Dylan. They were his true ...

Will the AI Revolution Foment a Revolution? The Revenge of Silence of the Lambs Sorry, Bad Bunny — the USA Is Indeed ‘America’ Audio By Carbonatix The New Wave ...

An hour-long movie looks at his life, through his work, in a way that any Godard fan will want to see. All of that contradiction is on full display, with a luscious kind of resonance, in “Godard par ...

So he did something that no previous filmmaker had, something akin to the way James Joyce took the back channels and byways of the human mind and put them right onto the page. Godard’s characters ...

One of the grand paradoxes of Jean-Luc Godard is that he was a radical, an outlier, a filmmaker who guarded his purity and always looked askance at “the system,” yet because the nature of filmmaking ...