The New Yorker

The Delirious Cinematic Artifice of Bi Gan’s “Resurrection”

In the Chinese director’s third feature, the pop idol Jackson Yee plays a shape-shifting dreamer who gets lost in a densely ...

Bi Gan on pushing cinema's horizons for ‘Resurrection' - and the year's most extraordinary one-take scene

Chinese director Bi tells IndieWire about outdoing even his long-take sequences in "Long Day's Journey Into Night" and "Kaili ...

‘Resurrection’ is a sumptuous, transporting dive into the pure pleasures of the image

Resurrection' contains one of director Bi Gan's signature long takes — lasting 30 minutes — but the movie is also a euphoric, ...
Easy Reader News

Bi Gan’s “Resurrection” – a cinematic journey

The logic of dreams Bi Gan’s “Resurrection” (film review) by Bondo Wyszpolski There are movies, which entertain, and then ...

Resurrection and Peter Hujar’s Day make ‘slow cinema’ feel anything but long

The former can feel interminable and endless, the sensation of enduring a cinematic kind of solitary confinement, the filmgoer trapped in the laziest and most selfish recesses of a director’s mind.
The Daily Orange

‘Resurrection’ traverses sci-fi dreamscapes, honors Chinese storytelling

Bi Gan’s “Resurrection” entangles dreams and realities, including odes to traditional Chinese film trends. Its unconventional ...
Yahoo

‘Resurrection’ Brings Bi Gan Back to Cannes With a ‘Movie Monster’ That Showcases a Century of Cinema: ‘A Celebration of the Lives of People’ (EXCLUSIVE)

Chinese auteur Bi Gan is back at Cannes with competition title “Resurrection,” a six-part fever dream where a movie monster drifts through China’s 100-year history. “I structured this monster’s soul ...